All I Do

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

ERA

1980 : Triumph era

RECORDING DATE

Stevie Wonder’s track with Michael’s background vocals by Michael. Recorded in 1980.

STUDIO(S)

Wonderland (Los Angeles, California)

SONGWRITER(S)

Stevie Wonder, Clarence Paul, Morris Broadnax)

PRODUCER(S)

Stevie Wonder

RELEASE DATE :

September 29, 1980 (Hotter Than July).

LABEL

Motown

LENGTH

5:06

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

No other version known to exist

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

Never released as a single in the US.

SHORT FILM

No short film

LIVE PERFORMANCES ON TV SHOWS

Never performed on TV

LIVE PERFORMANCES IN CONCERTS

Never performed in concerts

Smooth Criminal

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

RECORDING DATE

The idea came to Michael’s mind in 1984. The track evolved from another demo recorded in 1985, Al Capone, which melodies of resemble the ones in Smooth Criminal.

October 1, 1985 : Recording studio session at Michael’s Hayvenhurst home studio. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

October 2, 1985 : Recording session at Michael’s Hayvenhurst home studio. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

October 4, 1985 : Recording session at Michael’s Hayvenhurst home studio. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

October 5, 1985 : Recording session at Michael’s Hayvenhurst home studio. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

January 06, 1986 : Recording session at Michael’s Hayvenhurst home studio. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

January 07, 1986 : Recording session at Michael’s Hayvenhurst home studio. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

July 10, 1986 : Recording session at Westlake Studios. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

July 11, 1986 : Recording session at Westlake Studios . MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

July 12, 1986 : Recording session at Westlake Studios. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

July 15, 1986 : Recording session at Michael’s Hayvenhurst home studio + Westlake studios. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

July 16, 1986 : Recording session at Michael’s Hayvenhurst home studio + Westlake studios. MJ, Bill Bottrell, John Barnes and Matt Forger work on the song “Smooth Criminal”.

The song was re recorded in 1987 during the Westlake sessions and released on the “Bad” album.

STUDIO(S)

Westlake Studios, Los Angeles, California

SONGWRITER(S)

Michael Jackson

PRODUCER(S)

Quincy Jones

RELEASE DATE :

August 31, 1987 (album version “Bad”)

November 14, 1988 (single version)

LABEL

Epic Records

LENGTH

4:17

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

Al Capone : recorded in 1985

Smooth Criminal demo : recorded in 1985-1986 during the Hayvenhurst sessions with John Barnes, Bill Bottrell & Matt Forger. A snippet of the demo leaked on January 28, 2023 but original demo remains unreleased.

Smooth Criminal (Moonwalker mix) : Recorded in 1987. Features an extra verse. Used in the Moonwalker film/Smooth Criminal short film. Remains unreleased.

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

7

SHORT FILM

Directed by Colin Chilvers

Date of shooting : February-April 1987 (as part of the Moonwalker film)

Date of premiere : October 13, 1988

Official release : Released on VHS in 1989 (Moonwalker), DVD in 1997 (History Vol 2), in 2003 (Number Ones) and in 2010 (Vision) and on Michael’ You Tube official page (short version)

Smooth Criminal 3D

June 01-11, 2009 : In Culver Studios in Culver City, Michael shoots “The Dome” Project which consists seven works: “Smooth Criminal” (MJ inserted into classic 2D black-and-white film noir chase sequence). The video was used in the This Is It Movie released on October 26, 2009.

LIVE PERFORMANCES ON TV SHOWS

Never performed on TV

LIVE PERFORMANCES IN CONCERTS

Bad World Tour 1988-1989

Dangerous World Tour 1992

Dangerous World Tour 1993

Brunei Royal Concert on July 16, 1996

History World Tour 1996

History World Tour 1997

This Is It 2009 (the song was rehearsed in June 2009 and is part of the This Is It movie)

Al Capone

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

RECORDING DATE

Demo recorded in 1986 during the Hayvenhurst sessions with John Barnes, Bill Bottrell & Matt Forger. Early version of Smooth Criminal.

February 09, 1986 : Recording session at Michael’s Hayvenhurst home studio. MJ, Bill Bottrell, John Barnes and Matt Forger work on the “Al Capone”.

February 17, 1986 : Recording session at Michael’s Hayvenhurst home studio. MJ, Bill Bottrell, John Barnes and Matt Forger work on the “Al Capone”.

STUDIO(S)

Hayvenhurst home studio in Encino, California

SONGWRITER(S)

Michael Jackson

PRODUCER(S)

Bill Bottrell

RELEASE DATE :

Released posthumously on September 18, 2012 (Bad 25).

LABEL

Sony

LENGTH

3:34

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

No other version known to exist

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

Never released as a single in the US.

SHORT FILM

No short film

LIVE PERFORMANCES ON TV SHOWS

Never performed on TV

LIVE PERFORMANCES IN CONCERTS

Never performed in concerts

Ain’t Too Proud To Beg

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

ERA

1969-1975 : Motown era

RECORDING DATE

Temptations cover recorded with The Jackson 5 in 1969-1974.

“Ain’t Too Proud to Beg” is a 1966 song and hit single by The Temptations for Motown Records’ Gordy label, produced by Norman Whitfield and written by Whitfield and Edward Holland Jr. The song peaked at number 13 on the Billboard Pop Chart, and was a number-one hit on the Billboard R&B charts for eight non-consecutive weeks.

STUDIO(S)

Hitsville West, Los Angeles, California

SONGWRITER(S)

Norman Whitfield & Eddie Holland

PRODUCER(S)

Norman Whitfield

RELEASE DATE :

J5 version remains unreleased.

LABEL

Motown

LENGTH

???

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

No other version known to exist

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

Never released as a single in the US.

SHORT FILM

No short film

LIVE PERFORMANCES ON TV SHOWS

Never performed on TV

LIVE PERFORMANCES IN CONCERTS

Never performed in concerts

Ain’t Nothing Like the Real Thing

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

ERA

Lookin’ Through the Windows (1972)

RECORDING DATE

Recorded with The Jackson 5 in 1971-1972.

“Ain’t Nothing Like the Real Thing” is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968.

STUDIO(S)

Hitsville West, Los Angeles, California

SONGWRITER(S)

Ashford & Simpson

PRODUCER(S)

Ashford & Simpson

RELEASE DATE :

May 23, 1972 (Lookin’ Through the Windows).

LABEL

Motown

LENGTH

2:30

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

No other version known to exist

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

Never released as a single in the US.

SHORT FILM

No short film

LIVE PERFORMANCES ON TV SHOWS

October 26, 1972 : The Jackson 5 perform Ain’t Nothin’ Like The Real Thing and Jermaine performs That’s How Love Goes at the Flip Wilson Show.

LIVE PERFORMANCES ON CONCERTS

The Jackson 5 US Tour (December 27, 1971 – October 5, 1972)

Ain’t No Sunshine

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

RECORDING DATE

Recorded in July 1971

STUDIO(S)

Hitsville West, Los Angeles, California

SONGWRITER(S)

Bill Withers

PRODUCER(S)

???

RELEASE DATE :

January 24, 1972 (album version “Got To Be There”).

July 3, 1972 (single version in the UK)

LABEL

Motown

LENGTH

4:09

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

No other version known to exist

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

Never released as a single in the US. In the UK the song was released as the third (and final) single from the album (after the two singles “Got to Be There” and “Rockin’ Robin”, a cover of Bobby Day’s 1958 song). The song “I Wanna Be Where You Are”, which was released as the third single in the US, was on the B-side. It was a hit, peaking in the UK Singles Chart at number 8 for 3 weeks in September 1972.

SHORT FILM

No short film

LIVE PERFORMANCES ON TV SHOWS

Never performed on TV

LIVE PERFORMANCES ON CONCERTS

The Jackson 5 US Tour (December 27, 1971 – October 5, 1972)

Ain’t No Mountain High Enough

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

ERA

1969-1975 : Motown era

RECORDING DATE

The Jackson 5 recorded two versions of the song in 1969-1974.

“Ain’t No Mountain High Enough” is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross’s first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.

STUDIO(S)

Motown Studios in California

SONGWRITER(S)

Nickolas Ashford & Valerie Simpson

PRODUCER(S)

???

RELEASE DATE :

Both versions remain unreleased.

LABEL

Motown

LENGTH

???

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

No other version known to exist

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

Never released as a single

SHORT FILM

No short film

LIVE PERFORMANCES ON TV SHOWS

Never performed on TV

LIVE PERFORMANCES ON CONCERTS

Never performed on concerts

After The Storm (The Sun Will Shine)

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

ERA

1969-1975 : Motown era

RECORDING DATE

Recorded with The Jackson 5 in 1969-1975

STUDIO(S)

Motown Studios in California

SONGWRITER(S)

???

PRODUCER(S)

???

RELEASE DATE :

The song leaked but remains unreleased.

LABEL

Motown

LENGTH

???

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

No other version known to exist

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

Never released as a single

SHORT FILM

No short film

LIVE PERFORMANCES ON TV SHOWS

Never performed on TV

LIVE PERFORMANCES ON CONCERTS

Never performed on concerts

After You Leave Girl

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

ERA

1969-1975 : Motown era

RECORDING DATE

May-August 1969 with the Jackson 5.

STUDIO(S)

Motown Studios in California

SONGWRITER(S)

Bobby Taylor

PRODUCER(S)

Bobby Taylor

RELEASE DATE :

Posthumously on August 28, 2012 (Come and Get It: The Rare Pearls).

LABEL

Motown

LENGTH

2:37

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

No other version known to exist

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

Never released as a single

SHORT FILM

No short film

LIVE PERFORMANCES ON TV SHOWS

Never performed on TV

LIVE PERFORMANCES ON CONCERTS

Never performed on concerts

A Fool For You

Sources : My personal research, Wikipedia, Michael Jackson: For The Record by Chris Cadman & Craig Halstead, Twitter account of Damien Shields and the amazing archives of the MJCast.

ERA

1969-1975 : Motown era

RECORDING DATE

Recorded with The Jackson 5 on February 12, 1970.

STUDIO(S)

Motown Studios in California

SONGWRITER(S)

Ray Charles

PRODUCER(S)

Bobby Taylor

RELEASE DATE :

June 20, 1995 (Soulsation!).

LABEL

Motown

LENGTH

4:34

ALTERNATE VERSIONS RECORDED BY MJ (covers and remixes by other artists are not included)

No other version known to exist

MUSICIANS

???

PEAK ON HOT 100 BILLBOARD :

Never released as a single

SHORT FILM

No short film

LIVE PERFORMANCES ON TV SHOWS

Never performed on TV

LIVE PERFORMANCES ON CONCERTS

Never performed on concerts